Allen & Heath : SQ7 ALLEN&HEATH

33-fader flagship console, 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship.
หมายเลขสินค้า : SQ7

ราคา 220,000.00 บาท

ราคาปกติ : 275,390.00 บาท

ประหยัดไป 55,390.00 บาท

*ราคาไม่รวมภาษีมูลค่าเพิ่ม 7%


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แชร์ไปยัง :

33-fader flagship console, 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship.
 
ดิจิตอลมิกเซอร์ สำหรับ ไลฟ์ซาวด์และสตูดิโอ สามารถรับได้ถึง 48 แชนแนล ความละเอียดเสียง 96kHz, 32 Mic/Line 14XLR out, 8FX, 33 เฟดเดอร์ พร้อมจอสัมผัสขนาด 7 นิ้ว รองรับระบบ ME Personal Mixing System
 
48 channel / 36 bus digital mixer
SQ-7 is the 33-fader flagship console in the SQ series, powered by Allen & Heath’s revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of <0.7ms. The console features 32 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated stereo return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing makes it an excellent choice for conferences, panel talks and more.
 
Powerful Processing
SQ comes equipped with all the processing you need to craft the perfect mix. Every one of the 48 inputs has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required. The XCVI core even allows for every compressor in SQ to have its own parallel path, without phase or coherency worries.
 
Add-On Plug-Ins Available
DEEP – Proven on countless world-tours with international artists, the DEEP Processing from our award-winning dLive digital mixing system is now available within your SQ.
No 3rd party hardware, no added latency, no hassle – just studio-quality processing on every channel.
RackExtraFX – RackExtra FX Add-Ons expand SQ’s FX Rack with powerful new processors.
Pick the perfect processing suite, tailored to your specific requirements.
 
RackExtra FX
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.
 
Expandable up to 48 mics
SQ has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.
 
The Mixing Experience
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
 
Designed for the pro
We know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.
 
Dante, Waves, MADI and more
SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante, MADI or Waves to SQ’s I/O port and you’re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.
 
Advanced AMM
SQ’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM’s can be utilised for two zones or combined into a single 48 channel AMM for larger events.
 
Flexible multitrack recording
The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.
Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIOTM compliant and comes complete with MIDI and DAW control capabilities.
 
SQ Apps
There are two essential apps for SQ – SQ MixPad for engineers and SQ4You for performers.
SQ MixPad app is available free on iOS, Android, Windows and macOS platforms, providing offline editing and online wired or wireless control of the main mixing functions.
SQ4You is a personal mixing app to accompany SQ series mixers, allowing up to 8 performers to control their own monitor mixes from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.
 
The Ultimate IEM Mixer
With no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.
 
ME Personal Mixing System
SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander.
 


Features :
  • 96kHz FPGA processing
  • 48 Input Channels
  • DEEP Processing ready
  • 33 Faders / 6 Layers
  • 12 Stereo mixes + LR
  • 3 Stereo Matrix
  • 8 Stereo FX Engines + dedicated stereo returns
  • 7” capacitive touchscreen
  • SLink port for remote audio / expansion
  • 64ch I/O Port for audio networking
  • 32×32 USB audio interface
  • SQ-Drive direct recording to USB
  • AES output
  • Chromatic channel metering
  • Integrated LED illumination
  • Dedicated physical controls
  • 16 Assignable SoftKeys
  • 8 Assignable Soft Rotaries
  • Channel LCD displays

Mic/Line Inputs
Mic/Line Inputs: Balanced XLR, fully recallable
Input Sensitivity: -60 to +0 dBu
Switchable Pad: -20 dB
Analog Gain: 0 to +60 dB, 1 dB steps
Maximum Input Level: +30 dBu
Input Impedance: >5 kOhms
THD+N, Unity Gain (0 dB): 0.002% -92 dBu (20 Hz – 20 kHz, AES direct out, @ 0 dBu 1 kHz)
THD+N, Mid-Gain (+30 dB): 0.003% -91 dBu (20 Hz – 20 kHz, AES direct out, @ -30 dBu input 1 kHz)
Phantom Power +48V (+3V / -2V)
 
Stereo Line Inputs
ST1, ST2 Connectors: Balanced, 1/4″ / 6.3 mm TRS
ST3 Connector: Unbalanced, stereo 1/8″ / 3.5 mm
Input Sensitivity (ST1, ST2 / ST3): Nominal +4 dBu ST1, ST2 / 0 dBu ST3
Trim: +/-24 dB
Maximum Input Level (ST1,ST2 / ST3): +22 dBu / +18 dBu
Input Impedance: >7 kOhms
 
Analog Outputs
Outputs 1-16: Balanced, XLR
Outputs A and B: Balanced 1/4″ / 6.3 mm TRS
Source: Patchable
Output Impedance: <75 Ohms
Nominal Output: +4 dBu = 0 dB meter reading
Maximum Output Level: +22 dBu
Residual Output Noise: -90 dBu (muted, 20 Hz to 20 kHz)
 
AES Digital Audio Outputs
AES Digital Output: Balanced XLR, 2 channel
96 kHz sampling rate (default with SRC bypassed)
Switchable Output Sample Rates: 44.1, 48, 88.2, 96 kHz
2.5 Vpp balanced terminated 110 Ohms
 
Network Connections
Connection: Neutrik EtherCON (RJ45)
dsnake mode (48 kHz devices): 64 channels assignable, compatible with AR2412, AR84, AB168, ME, Qu
dx mode (96 kHz Devices): 32 channels assignable, compatible with DX168
gigaACE (96 kHz Devices): 128 channels assignable, compatible with dLive, SQ, and DXHub
Inputs: Fully patchable
Outputs: Fully patchable
Sync/SRC: Assignable as master audio sync for all modes, SRC 64-channel
 
I/O Expansion Module
Multi-channel IO option module
Inputs: Fully patchable
Outputs: Fully patchable
Sync/SRC assignable as master audio sync
 
Audio Specifications : Measured balanced XLR in to XLR out, 0 dB gain, 0 dBu input
Dynamic Range : 112 dB
Frequency Response : 20 Hz to 20 kHz (+0/-0.5 dB)
Headroom : +18 dB
Operating Level : Internal Operating Level: 0 dBu
THD+N : THD+N, Mic/Line Routed to Main L/R Out: Unity gain faders @ 0 dB, 0.006%, -84 dBu (20 Hz to 20 kHz)
dBFS Alignment : +18 dBu = 0 dBFS (+22 dBu at XLR output)
Metering Accuracy : Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu at XLR out)
 
Metering
Main Meter Type: 2 x 12-segment, fast (peak) response
Channel Meter Type: Chromatic Channel Metering, fully programmable color/brightnesss
Peak Indication: -3 dBFS (+19 dBu at XLR out), multi-point sensing
 
Sampling Rate : 96 kHz
Bit Depth : Uses XCVI core custom bit widths in algorithms, up to 96-bit
Latency : <0.7 ms, local mic input routed to main L/R. (direct, no EQ/effects)
Faders : 3.9″ / 100.0 mm, motorized
Touch Screen : 7.0″ / 178 mm, capacitive, 800 x 480 resolution, 24-bit RGB
 
Softkeys : Softkeys: 16 / SoftRotarys: 8
Groups : Mute Groups: 8 / DCA Groups: 8
Network : TCP/IP Ethernet for MIDI and control
MIDI : TCP/IP and USB Type-B
Footswitch : Single or dual, momentary or latching
Source : Channels 1-48: Fully patchable / USB Global Source: SQ-Drive or USB Type-B streaming
Polarity : Normal/inverted
Trim : -24 to +24 dB
High Pass Filter : 12 dB/octave, 20 Hz to 2 kHz
Insert : Insert (Pre EQ/Comp): Fully patchable
Input Delay : Up to 341 ms
 
Gate
Gate: Patchable sidechain
Sidechain Filter: Hi-pass (20 Hz to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz)
Threshold / Depth: -72 dBu to +18 dBu / 0 to 60 dB
Attack / Hold / Release: 50 μs to 300 ms / 10 ms to 5 seconds / 10 ms to 1 second
 
Parametric Equalizer
PEQ: 4-band fully parametric, 20 Hz to 20 kHz, ±15 dB
Band 1, Band 4: Selectable shelving (Baxandall), bell
Band 2, Band 3: Bell
Bell Width: Variable Q, 1.5 to 1/9th octave
 
Compressor
Compressor: Patchable sidechain
Sidechain Filter: Hi-pass (20 to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz), Q=1
Threshold / Ratio: -46 dBu to 18 dBu / 1:1 to infinity
Attack / Release: 30 μs to 300 ms / 50 ms to 2 seconds
Knee: Soft/hard
Detector Response: Peak/RMS switchable
Parallel Path Compression: Dry/wet -infin to 0 dB
 
Channel Direct Out : Follow fader, mute, mute group, DCA (global all channels)
Source Selection : Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay / Trim: -∞ to 10 dB per channel
Insert : Insert (Pre EQ/Comp): Fully patchable
Delay : Output: Up to 682 ms
Graphic Equalizer : 28 bands 31 Hz to 16 kHz, ±12 dB gain, constant 1/3 octave
 
FX
Internal FX: 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
Types: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser
8 x Dedicated Stereo FX Returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
 
PAFL
PFL or stereo in-place AFL, 0 to -24 dB trim, PAFL
Delay up to 682 ms
 
Talkback : Dedicated input, assignable to any mix, Gain, Pad, 48 V, 12 dB/oct HPF
Signal Generator : Assignable to any mix, (sine/white/pink/bandpass noise)
RTA Real Time Analyzer : 31-bands, 1/3 octave 20 Hz to 20 kHz, follows PAFL source
 
Recorder
SQ-Drive: USB Type-A
Stereo Record: 2-channel, WAV, 96 kHz, 24-bit, source fully patchable
Stereo Playback: 1/2-channel, WAV, 44.1, 48, 96 kHz, 16-/24-bit, source fully patchable
Multitrack Record: 16-channel, WAV, 96 kHz, 24-bit, track sources fully patchable
Multitrack Playback: 16-channel, WAV, 96 kHz, 24-bit fully patchable
 
USB Audio
USB Audio Streaming:  USB Type-B, Core Audio compliant, ASIO/WDM for Windows
Send (Upstream): 32-channel, 96 kHz, 24-bit
Return (Downstream): 32-channel, 96 kHz, 24-bit
 
Automatic Mic Mixing
AMM: 2 x 24 channels or 1 x 48 channels, freely assignable
Mode: Gain sharing
Sidechain Filter: 12 dB/octave
HPF: 20 Hz to 5 kHz
LPF: 120 Hz to 20 kHz
Priority: -15 dB to +15 dB per channel
 
Power
100 to 240 VAC, 50 / 60 Hz
Maximum Power Consumption: 110W
 
Operating Temperature : 32 to 104°F / 0 to 40°C
Dimensions (W &#215; H &#215; D) : 31.7 x 20.3 x 7.8″ / 805 x 516 x 198 mm
Weight : 39.3 lb / 17.8 kg