Metric Halo : 2882 3d Metric Halo

The original portable recording interface.

หมายเลขสินค้า : 2882 3d

video

ราคา 80,000^.00 บาท

ตรวจสอบก่อน! ว่ามีสินค้าหรือไม่
*กรุณาโทรเช็คสต็อคสินค้าก่อนสั่ง 061-649-9144

เลือกจำนวน :

เลือกสี : สีดำ

ฟรี!

ประกัน 1 ปี
ฟรี!

ปรึกษาด้านเทคนิก

The original portable recording interface.

สุดยอด Audio Interface 8 input 8 Analog Output เสียงดีคุณภาพสูง สามารถบันทึกได้สูงสุด 24bit/96kHz ถือว่าสูงมากๆ

Originally released in 2001, the 2882 was the first the first digitally controlled FireWire interface designed specifically for the Macintosh.

The Granddaddy of them all, the 2882 just keeps getting better. A seminal piece of gear, the feature set of the 2882 represents a list of firsts in the industry. The 2882 was the first Mac-only FireWire interface on the market and was the first bus-powerable FireWire interface ever. It was also the first (and only) FireWire interface to offer onboard fully instantiable DSP processing with our unique +DSP processing environment. The first 96k FireWire interface, and the first to feature digitally controlled analog stages, the 2882 has inspired an entire genre of gear.

Take a look at some other products on the market and you are sure to find numerous features and approaches originally invented by Metric Halo. As they say, imitation is the sincerest form of flattery, and as we look around the now-crowded interface market, we’re happy to say that we’re truly flattered!

Updated with 3d, 2882 3d jumps ahead of its competition again.

The 2882 3d is a portable, high–quality, modular multi-format audio converter, interface, and processor.

At Home in Any Situation

2882 3d is the perfect tool for capturing audio wherever inspiration hits, in the studio or on the road. Well suited to any recording situation, you can record and edit on the road, in the hotel, on the airplane, or wherever you find yourself. Use 3x 2882s chained together for 24 tracks of live concert recording with processing on all channels in 3 rack spaces. Location sound engineers can now capture the moment — anywhere, anytime.

When you’re done recording, use the 2882 in the studio as an extremely high quality audio interface to transfer your tracks into a DAW. You’ll be amazed at the sound of this little box! And weighing only 5 pounds, and about the size of a laptop, you can be the first one out of the gig, with no hassle, just throw the Mobile I/O into your computer bag, and you’re done!

The 2882’s pristine inputs and outputs, coupled with Metric Halo’s exclusive Character processing, provide flexibility and sound quality unavailable on any other interface. You can transition from a wire-with-gain to a gooey tube pre with one click of the mouse, and every input can have the right character for the material you are recording.

The 2882 3d provides an on-board processing engine that supports fully instantiable processing, allowing you to use Metric Halo’s world-renowned signal processing effects without sacrificing your computer’s processing power or introducing any additional latency in your monitor path. From MIOStrip to HaloVerb, the 2882 3d comes with all the basic production processing you need. And remember, this one rack space audio interface has the ability to run from any DC power source (9V-30V), making it truly and completely mobile.

A/D/A Conversion

Audio converters stand at the heart of every digital audio product. If the conversion is not up to snuff, you might as well toss the product out the window -- as the best you can hope for is that it doesn’t damage your precious audio (or reputation) too much. No matter how good the DSP is, if your converters don’t capture (or render) your audio accurately you are starting at a deficit.

RackAudio conversion is something that is more than the sum of its parts. You can’t simply look at the converter chip and determine how something is going to sound. Excellent audio conversion requires careful attention to detail and the tuning of every element of the entire conversion system; this includes the analog front end, the power system, the clock and the converter chip itself. As all of these interact with each other in nonlinear ways, it is the system that determines the performance, and not any of the individual parts. As any system can be no better than it’s weakest link, it is vitally important that the component you use to capture and render all of your audio is not the weakest link in your system.

The analog converters in the 2882 provide exceptional conversion that also has a “Sound”. The 2882 has subtle FET distortion in it’s input that gives your signal some additional analog warmth. Since this warmth is captured, you can rely on the fact that you are hearing what you are delivering. If you are looking for absolute pristine conversion, check out the other products in the 3d family: ULN-2 3d, LIO-8 3d, and ULN-8 3d.

Since the 2882 3d connects seamlessly with other members of the 3d family, you can get accurate conversion and monitoring with another 3d product while taking advantage of the “sound” of the 2882 and the low cost per channel that it provides.

Monitoring

Monitoring is critical to the production process at every stage; you need to be able hear exactly what you are working on. Your monitor chain will be limited by the weakest link in the chain.

The 2882 3d integrates a transparent digital Monitor Controller to ensure that you can use with the line output paths or via external converters or digitally connected speakers.

The Monitor Controller in the 2882 3d provides sophisticated monitor control features that are only available in dedicated monitor controllers that paradoxically cost far more than the 2882 3d. These features include:

Multiple source selection
Multiple speaker output selection
Shared speaker set support
Per speaker gain and delay
Per speaker solo/mute control
Output path calibration support
Multichannel support from Stereo up to 7.1.4 Surround (Dolby Atmos®) with external converters
Mono fold-down
Mute and Dim
Analog domain gain control
Talkback
Listenback
Multiple cue output support
PFL/AFL integration with the mixer

In addition to all these high-end features, the MH Monitor Controller provides unique support for per-output-path configurable signal processing including EQ, Bass Management and protective limiting. Each output path can have its own signal processing, even if the paths share speakers. This allows you to configure alternate monitoring setups with one monitoring system (for example, you could configure the signal processing to provide a band-limited monitoring path or a path that lacks subwoofer reinforcement).

Each 2882 3d includes a high quality headphone amplifier fed by the monitor path D/A conversion with independent analog domain gain control. So you don’t need to add a headphone amp to your system.

Cue Control

In addition to monitoring the mix in your control room, multitrack production requires providing multiple output cues to performers and other stakeholders (such as producers and/or broadcast feeds).

The Monitor Control in 3d is enhanced by a sophisticated Output Cue section that provides you with an arbitrary number of output controls. Each cue can be driven from any of the busses in the system, or it can be set to derive its input from the currently selected source in the Monitor Controller (MC).

Since each Cue can be driven by a separate mix bus from the mixer, they are perfect for routing and controlling independent headphone mixes for individual performers.

Cues can be configured to listen to PFL/AFL (or not). So for producers and engineers, the cue can follow PFL/AFL Solo in the mixer while performer and broadcast cues are unaffected by soloing.

Each cue has an independent output path which can be set to any of the MC supported output types. Each cue controller uses the MC engine for its control of routing, gain, delay and output graph processing, so it can do all the things the MC can do.

Cues are not Mixes. Cues are output points with gain and routing controls that can be fed by specific mixes, the current monitor controller source, or a mix of a source and the talkback signal. They serve as named output mults with direct access to associated output gain controls.

Cues form the basis of the routing points for Talkback and Listenback.

Talkback provides the ability to route a specific input to any sub-set of the cues in the system; it also allows you to control the amount that the Cue source signal is dimmed when talkback is active. The Talkback signal is mixed with the selected source.

Listenback provides the ability to route the source that the engineer is currently monitoring through the MC to any sub-set of the cues in the system. This allows playing back a mix of the take to any or all of the monitoring cues in the system without having to re-patch.

Processing

2882 3d includes sophisticated digital signal processing engine that is only limited by your imagination. The mixing engine and audio router built into each unit is capable of mixing 128 inputs to 64 busses at all sample rates (up to 192k) with every gain interpolated on a sample-by-sample basis. This custom dedicated mix engine utilizes the equivalent DSP power of 30 of the SHARC DSPs that were used in our previous generation product.

Each 2882 3d also includes a programmable DSP that supports the instantiation of arbitrary DSP processing plug-ins; this is used for insert processing in the mixer and for output processing in the Monitor Controller. 2882 3d includes over 100 plugins that you can use for low-latency monitoring, live mixing or in production. The DSP in 3d has 1GB of DDR3 RAM available so long delays and multiple reverbs are not a problem.

The +DSP license included with every unit provides Metric Halo’s unique Graph insert which allows you to build your own signal chains with arbitrary phase compensated routing between plugins. You can insert a Graph in any insert slot in the mixer and as output processors in the Monitor Controller.

The 3d system enhances the processing engine included in each unit by routing between multiple units and utilizing the resources of all units attached via MHLink as one unified system. Your DSP and mixing resources are pooled. This allows you to seamlessly grow your system one unit at a time - all the way up to 128 channels of simultaneous input and output! All your inputs (including inputs from the computer) are available as sources in the mixer and monitor controller. All your outputs (including returns to the computer) are available as destinations for the mixer, monitor controller, cue system and direct outs.

MH EdgeBus Cards : The Ultimate Plugins

Every 3d-based unit includes an MH EdgeBus Card slot to provide additional flexibility in configuration. The EdgeBus is a programmable high-speed plugin slot that accepts a variety of audio interfacing cards. Its programmable design and full access to all the audio clocks and power rails allows for the creation of a wide variety of digital, analog, processing and interfacing plugin modules.

The currently available modules include (with I/O channel counts listed):

AES/SPDIF EdgeCard (4 in/4 out)
DB-25 AES EdgeCard (8 in/8 out)
SPDIF + MIDI EdgeCard (2 in/2 out + MIDI I/O)
SPDIF + 2x ADAT EdgeCard (18 in/18 out)
2x SPDIF + 2x ADAT EdgeCard (20 in/20 out)
4x ADAT EdgeCard (32 in/32 out)
2x MADI Optical EdgeCard (128 in/128 out)
1x MADI Optical + 1x MADI Copper EdgeCard (128 in/128 out)
4x MADI Copper EdgeCard (256 in/256 out)

The EdgeCard modules are field installable/swappable and the hardware automatically detects the type of the installed card. All EdgeCard audio channels are first class I/O and may be used just like the built-in channels; all I/O is available simultaneously.

You can use EdgeCards to interface with other systems, get additional I/O via third-party A/D/A converters, provide ingest paths for digital recorders, or to patch into your existing digital console (e.g. via MADI interfacing).

The high-channel counts achievable via MADI interfacing means that you can use your 2882 as additional headamps, side car processing, or as a multitrack recorder for your console.

Each 2882 3d integrates:

8 Mic/Line/Instrument analog inputs
8 analog outputs on balanced TRS connectors
24/96k converters on all channels
Headphone amp with dedicated D/A and front panel mute/dim
Full front-panel metering
Remote gain control on all channels
AES I/O (2 Channels)
SPDIF I/O (2 Channels)
ADAT I/O (8 Channels)
All Analog I/O supports 96k
All Digital I/O supports 192k
128 Channel x 64 bus mixer (up to 192k)
Instantiable DSP processing with over 100 plugins
Integrated surround-capable Monitor Controller
Incredibly accurate DPLL clock with ultra-low jitter
Seamless hardware multi-unit unification over MHLink (mixer, routing and transport)b
MH EdgeBus Card slot with support for AES/SPDIF/MADI/ADAT/TOSLINK/MIDI (depending on card)
SMUX support for ADAT and MADI
Front panel metering and control with dedicated gain knobs
Bullet-proof recording with the integrated Record Panel
MIO Console 3d
MHLink Ethernet connectivity
USB-C connectivity

Feature	ULN-8 3d	LIO-8 3d	ULN-2 3d	2882 3d
Converter Technology	2nd Generation	2nd Generation	1st Generation	1st Generation
Preamp Technology	3rd Generation	Optional (1)	2nd Generation	1st Generation
Analog Technology	3rd Generation	3rd Generation	2nd Generation	1st Generation
DSP Technology	3rd Generation	3rd Generation	3rd Generation	3rd Generation
Box-to-Box	MHLink	MHLink	MHLink	MHLink
Computer Interface	Ethernet/USB	Ethernet/USB	Ethernet/USB	Ethernet/USB
44.1k - 48k	√	√	√	√
88.2k - 96k	√	√	√	√
176.4k - 192k	√	√	D/A & Digital	D/A & Digital
Channels of A/D	8	8	2	8
Mic pres	8	0, 4, 8 (1)	2	8
Gain	91.5 dB	91.5 dB (1)	72 dB	42 dB
Jensen Option	n/a	n/a	√	n/a
Noise floor	117.9 dB	117.9 dB	110 dB	110 dB
Insert points	8	0 (8 sends)	2	n/a
Dedicated DIs	2	2	n/a	n/a
Metering	15 Segment Multicolor	15 Segment Multicolor	10 Segment Fixed Color	10 Segment Fixed Color
Channels of D/A	8 (+headphones)	8 (+headphones)	4	8 (+headphones)
Output Control	Digitally Controlled Analog	Digitally Controlled Analog	Analog (Monitor Outs), Digital (Analog Outs)	Digital/Analog hybrid
Output Control UI	FP + Computer	FP + Computer	FP Only (Analog) Computer Only (Digital)	Computer Only
Monitor Controller	Analog Domain	Analog Domain	Digital Domain	Digital Domain
AES Digital I/O	8 channels (single wire)	8 channels (single wire)	2 channels (2) via EdgeCard	2 channels (2) via EdgeCard
Optical Digital I/O	via EdgeCard	via EdgeCard	8 channels ADAT(3) or 2 Channels TOSLINK	8 channels ADAT(3) or 2 Channels TOSLINK
Wordclock I/O	√	√	√	√
Multipurpose encoders	9	9	n/a	n/a
Tact Switches	7	7	2 (snapshot selection)	2 (Mute & Dim)
Gain Control UI	FP + Computer	FP + Computer	FP Only	Computer Only
Gain Control	Encoder	Encoder	Switch/Pot	Computer
Gain Style	Digitally Controlled Analog	Digitally Controlled Analog	Analog	Digitally Controlled Analog
3d Card	√	√	√	√
Ultra-low Latency Mixer	√	√	√	√
Basic DSP Plugin Bundle	√	√	√	√
+DSP license	√	√	√	√
Number of channels to/from Computer over USB	12	12	12	12
Number of channels to/from Computer over Ethernet	up to 128	up to 128	up to 128	up to 128
Bus powerable?	No	No	No	No
DC powerable?	√	√	√	√
Power Switch	√	√	No	No
Audio I/O connectors	DB-25	DB-25	XLR and TRS	XLR and TRS
SMPTE I/O	√	√	n/a	n/a
MIDI I/O	√	√	via EdgeCard	via EdgeCard
Dimensions	17" x 13" x 1.72" 432 x 330 x 44 mm	17" x 13" x 1.72" 432 x 330 x 44 mm	13.5” x 8.25” x 1.73” 343 x 210 x 44 mm	13.5" × 11" × 1.73" 343 x 279 x 44 mm
Weight	6 lbs 2.7 kg	6 lbs 2.7 kg	4 lbs 1.8 kg	4.5 lbs 2 kg
Suggested retail price	~~$4495~~	~~$2995~~	~~$1595~~	~~$1795~~
Early Access price	$3195	$2495	$1395	$1595