ราคา 719,200.00 บาท
ราคาปกติ : 800,000.00 บาท
ประหยัดไป 80,800.00 บาท
ประกัน 1 ปี
ปรึกษาด้านเทคนิก
64-channel Digital Mixer with 64 Input Channels, 27 Phase-coherent Mix Buses, 8 Onboard MIDAS Microphone Preamps, 16 Onboard Analog Outputs, 2 AES3 Inputs, 3 AES3 Outputs, and 96kHz 40-bit Floating-point Processing Throughout
ดิจิตอลมิกเซอร์ Midas Pro2 CC-IP สำหรับงานติดตั้ง (Install Package) Live Digital Console Control Centre with 64 Input Channels, 8 MIDAS Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate เหมาะสำหรับงาน แสดงโชว์กลางแจ้ง
A Truly Innovative Digital Console
The MIDAS PRO2 digital mixer gives you fabulous live sound, with a fast and streamlined workflow. The PRO2's intuitive interface is all about keeping it simple. Rather than the confusing paging and layering concepts employed by many digital boards, the PRO2's intuitive interface is centered around colors and groups. Compact and roadworthy, the PRO2 packs a punch. It has eight mic/line inputs onboard and can be expanded with a DL251 remote stage box, which sports another 48 inputs. You can also expand your system to cover the largest of shows. Step up to a truly innovative digital console: the MIDAS PRO2.
MIDAS PRO2 Digital Mixer at a Glance :
This board sounds amazing
MIDAS's reputation for superb audio quality is the result of over 40 years of development and research. The company has endowed the PRO2 with top-shelf components and technology developed from their class-leading XL8 board. The PRO2 boasts 96kHz 40-bit floating-point processing throughout. Its 27 mix buses are time-aligned and phase-coherent. But impressive specs only begin to tell the story of what this board sounds like: amazing!
Delay management - and why you need it
The PRO2 employs MIDAS's proprietary delay management technology. OK, so why is that a good thing? Digital processing takes time to run, causing short time delays. ADCs and DACs have much larger delays (typically a few milliseconds), so if you've used analog insert points, the channel in question will be delayed relative to the others. The problem is, combining signals in this way can lead to the summing of signals that are partially out-of-phase, causing nasty comb filtering. All MIDAS digital mixers feature soup-to-nuts automatic time alignment to correct path-related delays, plus automatic compensation for the additional latency introduced by A/D conversion on analog inserts. The result? Better sound.
Your investment is protected
The MIDAS PRO2 gives you everything you need to mix a live show with no sweat. This self-contained console has eight onboard mic/line inputs, which can be expanded with a MIDAS DL251 remote stage box. You can add additional optional I/O units to your system, to a maximum of 156 inputs x 166 outputs - enough to handle ginormous shows. Bottom line, your investment is protected. MIDAS wouldn't have it any other way.
I/O |
8x XLR outputs 8x XLR line outputs 4x XLR monitor output 2x XLR master outputs 2x XLR AES3 stereo outputs 2x XLR AES3 stereo inputs 1x XLR talk output 1x XLR talk input |
Expandability |
Multiple 3U rack configurable I/O boxes (optional DL451 rack boxes) can be connected that house 24 x I/O slots in 8 x 8 wide blocks of: 8x XLR mic/line inputs or 8x XLR line outputs or 8x Jack line in and 8x line out 4x stereo AES3 in and 4x (stereo) AES3 out AES50 networking allows up to 156 inputs and 164 outputs @ 96 kHz sample rateMultiple 6U rack splitters (optional DL431) house: 24x splitter mic/line inputs 2x 24 splitter outputs 1x 24 transformer isolated splitter outputs |
Processing |
Input audio processing: 56x dual slope high and low pass filters 56x 4-band parametric EQs with 3 shelf modes 56x 4-mode creative input compressors 56x input gatesMix/output audio processing: 24x output 6-band parametric EQs with shelf and multiple high and low pass modes 24x 5-mode creative output dynamics 8x assignable Klark Teknik output GEQAssignable audio processing: 4x assignable stereo effects (each of these can be reconfigured to generate 4 further GEQs making a total of 24 available on the console) |
Mixing Control Assistance |
6x auto-mutes 6x surface POPulation groups 8x VCA faders 8x VCA associated POPulation groups 176x MCA faders 176x flipped MCA POPulation groups 1000-scene snapshot automation |
Resilience | N+1 cable redundancy and dual redundant PSUs |
Sampling Frequency | 96 kHz |
Processor | 40-bit |
Latency Delay | <2 ms input to master (no compensation) |
Dynamic Range | 106 dB, 22 to 22,000 Hz (no pre-emphasis) |
Maximum Voltage Gain |
80 dB inputs to subgroups and masters 86 dB inputs to aux and matrix |
Crosstalk |
At 1 kHz: -100 dB physically adjacent input channels At 10 kHz: -90 dB physically adjacent input channels |
Cut and Mix Transitions |
Fader/pan cut off at 1 kHz: -100 dB Fader/pan cut off at 10 kHz: -100 dB |
Display Screen | 1 x 15″ daylight-viewable color screen |
LCD | 25 x RGB color |
Faders | 20x touch-sensitive faders with 1024 steps of resolution |
Encoders | 31x touch-sensitive with 512 steps |
Power Requirements | 100 to 240 VAC, ±10%, 50 to 60 Hz |
Operating Temperature | 41 to 113°F (+5 to 45°C) |
Storage Temperature | -4 to 140°F (-20 to 60°C) |
Dimensions (W x Depth) | Control Center: 46.4 x 27.8″ (1179.6 x 730.3 mm) |
Weight | Control Center: 88.2 lb (40.0 kg) |