22-in/26-out USB 3.0 Audio Interface with up to 192kHz Operation, 2 XMAX Mic Preamps, Studio One Fat Channel Processing, and 16 Channels of ADAT I/O
หมายเลขสินค้า : Studio192Mobile
ราคา 24,200.00 บาท
ราคาปกติ : 26,900.00 บาท
ประหยัดไป 2,700.00 บาท
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22-in/26-out USB 3.0 Audio Interface with up to 192kHz Operation, 2 XMAX Mic Preamps, Studio One Fat Channel Processing, and 16 Channels of ADAT I/O
Whether you're in your studio, a venue, or hotel room, when creativity strikes, you've got to be ready to capture it. And that's the PreSonus Studio 192 Mobile advantage. With this powerful, ultra-flexible USB audio interface, you can concurrently stream up to 22 inputs and 26 outputs at 48kHz (8 x 14 at 192kHz). For plug-ins, you've got Studio One Fat Channel processing on all analog (and the first eight ADAT) inputs, all while monitoring with amazingly low latency. The Studio 192 packs outstanding sonic fidelity, generous connectivity, and pro monitoring and mixing facilities into a compact desktop chassis.
The core of your studio
With the PreSonus Studio 192 Mobile, you have an integrated hardware/software solution for recording in any studio - from mobile to project to professional. Take command of your main mix with software-controlled convenience. The six balanced outputs can be used for either monitor mixing or speaker switching (or both) according to your workflow. Optimized with flexible software and generous I/O, the PreSonus Studio 192 Mobile forms the core of your production environment. Millionhead engineers are quite impressed with the Studio 192 Mobile; we're sure you will be too.
Exceptional sound quality
Your Studio 192 Mobile delivers all the detail and the effortless, airy high end you demand of a professional front end. To provide ultra-high-definition recording and mixing, the Studio 192 Mobile operates at up to 192kHz. Each input and output is fitted with genuine Burr-Brown converters for 118dB of dynamic range that lets you capture delicate harmonics without audible distortion. PreSonus's recallable XMAX mic preamps provide high headroom, for rich, full-frequency sound that lets you hear every minute detail and transient in your recordings.
The Studio One connection
PreSonus designed the Studio 192 Mobile to be a fully integrated extension of your recording setup. Inside Studio One 3 DAW software, you'll enjoy full control over preamps as well as zero-latency monitor-mixing functions. The hybrid Fat Channel plug-in is powered by the Studio 192's DSP, letting you monitor and record with interface-based processing and use the Studio One Fat Channel for playbacks. You don't even need to have your computer with you; just launch Studio One Remote on your iPad. Use a third-party DAW? No worries. You can also control the Studio 192 Mobile's built-in features from PreSonus's free UC Surface control software, a user-friendly mixing interface that gives you everything you need to create high-quality monitor mixes.
FREE Plug-in Suite for Your Favorite DAW
PreSonus delivers more value than ever with their mixers and interfaces, thanks to the Studio Magic Plug-in Suite. This extensive collection of seven popular plug-ins covers models of top studio gear from manufacturers such as Maag Audio, Lexicon, and Arturia, adding up to hundreds of dollars of extra value. Punch up your mix bus with Brainworx's bx-opto, add ambience with Eventide's SP2016-inspired Stereo Room reverb, fire up transients with SPL's Attacker, and much more. And since these plug-ins are available in AAX, VST, and AU formats, they're compatible with any DAW you choose.
Features
- Powerful, ultra-flexible USB audio interface
- A fully integrated extension of your recording setup
- Concurrently stream up to 22 inputs and 26 outputs at 48kHz (8 x 14 at 192kHz)
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Studio One Fat Channel processing on all analog (and the first 8 ADAT) inputs
- Fat Channel processing powered by the Studio 192's DSP
- Vanishingly low-latency monitoring (input-to-output: 2ms)
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Makes an ideal studio command center with:
- 2 XMAX mic preamps
- Monitor mixing
- Speaker switching
- Onboard headphone amp
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Remote control XMAX preamps and monitor mixes from:
- PreSonus UC Surface
- PreSonus Studio One
- Studio One Remote for iPad
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I/O (expandable with optional DigiMax DP88 8-channel A/D/A converter):
- 2 front-panel mic/line inputs
- 2 TRS rear-panel inputs; 6 TRS outputs
- S/PDIF I/O (coax)
- 16 channels of ADAT I/O
- USB-to-host (USB 3.0)
- Word clock I/O
Computer system requirements:
Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.
Mac
- Mac® OS X 10.8.5 64-bit or later
- Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
- Intel Core 2 Duo (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB 2.0 port
- Internet connection
- Internal or external 7200 RPM storage drive highly recommended
- 30 GB hard disk space
- Monitor with 1366x768 resolution
iOS
- iOS 9.3 or later
- iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2
Android
- Android™ 5.0 (Lollipop) or later
- Android smartphone (QMix-UC)
- Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
Specifications
Microphone Preamp |
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|---|---|
| Type | XLR Female (via Combo), Balanced Remote |
| Maximum Input level (min. gain, 1 kHz@0.5% THD+N) | +12 dBu, ±0.5 dB |
| Gain Control Range | 60 dB, ±1 dB |
| Frequency Response (A-D) | 10 Hz to 40 kHz, ±0.2 dB |
| Dynamic Range (min. gain, a-wtd) | > 110 dB |
| Dynamic Range (mid. Gain, unwtd) | > 105 dB |
| THD+N (min. gain, a-wtd) | < 0.005% |
| Input Impedance | 1.6 kΩ |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd) | < 128 dBu |
| Common Mode Rejection Ratio (1 kHz, +55dB gain) | > 55 dB |
| Phantom Power | +48V, ±3V, > 8mA per channel |
Instrument Inputs |
|
|---|---|
| Type | ¼” TS Female (via Combo), Unbalanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +16 dBu ±0.5 dB |
| Gain Control Range | 60 dB, ±1 dB |
| Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (min. gain, a-wtd) | > 110 dB dB |
| Dynamic Range (mid. Gain, unwtd) | > 105 dB |
| THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
| THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
| Input Impedance | > 1 MΩ |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Line Inputs |
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|---|---|
| Type | ¼” TRS Female (via Combo), Balanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | + 18 dBu, ±0.5 dB |
| Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (min. gain, a-wtd) | > 114 dB |
| Dynamic Range (mid. gain, unwtd) | > 105 dB |
| THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
| Input Impedance | 10 kΩ |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Main and Line Outputs |
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|---|---|
| Type (Line Outputs) | ¼” TRS Female, Impedance Balanced |
| Type (Main Outputs) | ¼” TRS Female, Impedance Balanced |
| Maximum Output Level | +18 dBu, ±0.5 dB |
| Frequency Response | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (a-wtd) | > 112 dB |
| THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
| Output Impedance | 51Ω |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Headphone Outputs |
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|---|---|
| Type | ¼” TRS Female, Stereo, Unbalanced |
| Maximum Output Level | 150 mW/channel @ 60Ω |
| Frequency Response | 20 Hz to 20 kHz, ±0.3 dB |
| Dynamic Range (a-wtd) | > 103 dB |
| THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Signal Level LEDs |
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|---|---|
| Signal 1 | -50 dBFS |
| Signal 2 | -30 dBFS |
| Signal 3 | -20 dBFS |
| Signal 4 | -10 dBFS |
| Signal 5 | -6 dBFS |
| Signal 6 | -4 dBFS |
| Signal 7 | -2 dBFS |
| Clip | -0.5 dBFS |
Digital Audio |
|
|---|---|
| Host Interface | USB 3.0 (backwards compatible to USB 2.0) |
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| Bit Depth | 24 bits |
| Internally Supported Sample Rates | 44.1, 48, 88.2, 96, 176.4, 192 kHz |
| ADAT Optical I/O | ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)] |
| S/PDIF I/O | RCA female connections, supported up to 96 kHz |
| Word Clock I/O | BNC connector, 4.5 Vpp @75Ω load |
Clock |
|
|---|---|
| Jitter | <50 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in => 1 ps out) |
Power |
|
|---|---|
| External Power Adapter | +12 VDC, 3.0A, center positive |
| Connector Type | Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length |
Physical |
|
|---|---|
| Dimensions | |
| Height | 1.75” (44 mm) |
| Depth | 7” (178 mm) |
| Width | 12.5” (317 mm) |
| Weight | 5 lb. (2.3 kg) |
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