12-input, Dual 710W Powered Mixer with 8 Mic Preamps, 3-band Input EQs, 1-knob Comps, 9-band Graphic EQ, Speaker Processor, Phantom Power, Level Meters, and Onboard DSP
หมายเลขสินค้า : EMX7
ราคา 36,000.00 บาท
ราคาปกติ : 45,000.00 บาท
ประหยัดไป 9,000.00 บาท
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12-input, Dual 710W Powered Mixer with 8 Mic Preamps, 3-band Input EQs, 1-knob Comps, 9-band Graphic EQ, Speaker Processor, Phantom Power, Level Meters, and Onboard DSP
Yamaha : EMX7 เป็นพาวเวอร์ มิกเซอร์ขนาด 12 อินพุท กำลังขับ 710W พร้อม 8 ปรีไมค์, 3-band EQ พร้อม Phantom Power เหมาะกับงาน Live Sound เช่นงานเล่นดนตรี เป็นต้น
The Yamaha EMX7 provides premium sound quality in a robust yet compact package. Eight phantom-powered preamps make connecting your microphones easy, and each of the EMX7's 12 inputs features a 3-band EQ for sound shaping. Four inputs are loaded with Yamaha's popular 1-knob compressors for evening out dynamics and punching up your tracks. A 9-band graphic equalizer tailors your overall sound. Onboard effects add dimension to your performance or presentation. Yamaha's feedback suppressor function stops feedback in its tracks. The Yamaha EMX7 powered mixer is packed with a dual 710 watts of efficient Class D power and is rugged enough to withstand years of stage use.
Powerful design and incredible ease of use
The Yamaha EMX7 is packed with a high-efficiency, dual 710-watt, Class D amplifier, making it powerful enough for a wide variety of applications. Its all-in-one design concept ensures that the EMX7, a set of speakers, and your microphones are all you need for a fully functioning PA system. Anyone with a basic understanding of sound reinforcement will find the EMX7 easy to set up and configure. Just plug in a single power cable, connect your speakers via TS or speakON, and you're ready to go. The EMX7 fits easily on a tabletop, floor, or in an installation environment, and its robust, impact-resistant, powder-coated metal chassis can withstand years of abuse.
A jack-of-all-trades, and a master of them all
The Yamaha EMX7 accommodates just about everything. Plug in up to eight microphones, connect musical instruments, or patch in a portable MP3 player. The EMX7 is equipped with phantom power for your condenser mics, and a hi-Z input accepts your guitar directly without any external gear. A pair of aux sends are ideal for a monitoring system or external effects, a set of unbalanced RCA outputs are onboard for connecting to an external recorder, and a TRS jack outputs the mixed stereo signal. A Flex-type graphic EQ allows you to select up to nine bands out of a total of 31 for fine-tuning your overall sound. And because the EMX7 is powered, all you need is a set of passive speakers to complete your PA system.
Built-in 3-band EQ and 1-knob compressor for tailoring your sound
Each of the Yamaha EMX7's 12 inputs features a 3-band EQ (high, mid, and low) for shaping your sound. Inputs 1-4 feature Yamaha's 1-knob compressors. With a simple twist of a control, you can achieve optimal compression for your vocals and instruments - threshold, ratio, and output gain are automatically adjusted, making it incredibly simple to use.
Add dimension with 24 SPX effects
Yamaha's SPX digital effects have been around for a long time. In fact, a lot of us here still use our trusty SPX90s. The EMX7 is packed with 24 great-sounding SPX effects. Use the EMX7's reverb and delay effects to simulate the sound of different performance environments such as concert halls and small clubs. The Echo setting imbues instruments and vocals with a professional touch, making it ideal for karaoke. You also have access to modulation and tremolo effects, as well as distortion, special effects, and pitch change.
Speaker processor and presets tailor your system to your speakers
The Yamaha EMX7 is a cinch to set up, courtesy of its speaker processor function, which selects an appropriate setting to match your speakers. It features presets tuned for each model in Yamaha's lineup of passive speakers, including CBR, Club, A, and R series. A bass boost function brings out your low end, making the EMX7 ideal for DJ performances.
Feedback suppressor stops embarrassing howling
Nothing distracts from a performance or presentation like the unpredictable wail of unwanted feedback. With the Yamaha EMX7's feedback suppressor function, your audience won't be covering their ears in disgust. Feedback suppressor employs Yamaha's state-of-the-art digital technology to eliminate feedback. And it's easy to use. Just hit the button. Feedback will be taken down before it even starts to rear its annoying head.
- 12-input, dual 710-watt powered mixer with efficient Class D amplifier
- 8 phantom-powered preamps make connecting your microphones simple
- Enough I/O for microphones, musical instruments (1 hi-Z input), and a portable MP3 player
- Each input features a 3-band EQ for shaping your sound
- Inputs 1-4 are equipped with 1-knob compressors for evening out dynamics and punching up your tracks
- 9-band graphic equalizer tailors your overall sound
- 24 SPX effects add dimension to your performance or presentation
- Speaker processor and presets select an appropriate setting to match your speakers
- Feedback suppressor function stops feedback in its tracks
- Universal power supply for worry-free operation worldwide
- Rugged enough to withstand stage abuse
- Rackmountable using a rackmount kit (sold separately)
| Outline | EMX7 | EMX5 | |
|---|---|---|---|
| I/O | Inputs | TOTAL 12 channels : 8 Mono (MIC/LINE), 4 Stereo (LINE) | TOTAL 12 channels : 8 Mono (MIC/LINE), 4 Stereo (LINE) |
| Phantom power | +48 V | +48 V | |
| Outputs | SPEAKERS [A, B], AUX1 SEND, AUX2 SEND, STEREO OUT [L, R], REC OUT [L, R] | SPEAKERS [A, B], AUX1 SEND, AUX2 SEND, STEREO OUT [L, R], REC OUT [L, R] | |
| Control and others | FOOT SWITCH : Effect Mute on/off | FOOT SWITCH : Effect Mute on/off | |
| Bus | Stereo: 1, AUX: 2 (Including FX) | Stereo: 1, AUX: 2 (Including FX) | |
| Input Channel Function | PAD | 30 dB (CH1-4) | 30 dB (CH1-4) |
| Hi-Z | Supported (CH4) | Supported (CH4) | |
| HPF | 80 Hz, -12 dB/oct. (CH1–3) | 80 Hz, -12 dB/oct. (CH1–3) | |
| COMP | 1-knob COMP (CH1–4) | 1-knob COMP (CH1–4) | |
| EQ HIGH | 10 kHz +15 dB / -15 dB (Shelving) | 10 kHz +15 dB / -15 dB (Shelving) | |
| EQ MID | 2.5 kHz +15 dB / -15 dB (Peaking) | 2.5 kHz +15 dB / -15 dB (Peaking) | |
| EQ LOW | 100 Hz +15 dB / -15 dB (Shelving) | 100 Hz +15 dB / -15 dB (Shelving) | |
| On-board processors | DSP | SPX Algorithm 24 programs, Feedback suppressor, Graphic equalizer, Speaker processor | SPX Algorithm 24 programs, Feedback suppressor, Master EQ, Monitor EQ |
| On-board amplifiers | Maximum output power @4ohms | 1kHz THD+N less than 10% (CEA2006) : 710 W + 710 W, 1kHz THD+N less than 1% (CEA2006) : 600 W + 600 W | 1kHz THD+N less than 10% (CEA2006) : 630 W + 630 W, 1kHz THD+N less than 1% (CEA2006) : 500 W + 500 W |
| Maximum output power @8ohms | 1kHz THD+N less than 10% (CEA2006) : 500 W + 500 W, 1kHz THD+N less than 1% (CEA2006) : 400 W + 400 W | 1kHz THD+N less than 10% (CEA2006) : 460 W + 460 W, 1kHz THD+N less than 1% (CEA2006) : 370 W + 370 W | |
| Level Meter | 2 × 12 points LED meter (-30, -25, -20, -15, -10, -6, -3, 0, +3, +6, +10, PEAK) | 2 × 7 points LED meter (-20, -10, -6, 0, +6, +10, PEAK) | |
| General specifications | EMX7 | EMX5 | |
| Frequency response | Input to SPEAKERS : +1 dB/-3 dB (40 Hz to 20 kHz), Input to STEREO OUT, AUX1 SEND, AUX2 SEND : +0.5 dB/-1 dB (20 Hz to 20 kHz) , refer to the nominal output level @ 1 kHz | Input to SPEAKERS : +1 dB/-3 dB (40 Hz to 20 kHz), Input to STEREO OUT, AUX1 SEND, AUX2 SEND : +0.5 dB/-1 dB (20 Hz to 20 kHz) , refer to the nominal output level @ 1 kHz | |
| Total harmonic distortion | Input to SPEAKERS: MIC/LINE =LINE (CH1–4): 0.1% @ 10 W (40 Hz to 20 kHz), 0.04% @ 65 W (1 kHz) ; Input to STEREO OUT, AUX1 SEND, AUX2 SEND: MIC/LINE =LINE (CH1–4): 0.02% @ +14 dBu (20 Hz to 20 kHz), 0.007% @ +20 dBu (1 kHz), (THD+N, measured with 22 kHz LPF) | Input to SPEAKERS: 0.1% @ 10 W (40 Hz to 20 kHz), 0.05% @ 50 W (1 kHz) ; Input to STEREO OUT, AUX1 SEND, AUX2 SEND: 0.03% @ +14 dBu (20 Hz to 20 kHz), 0.007% @ +20 dBu (1 kHz), (THD+N, measured with 22 kHz LPF) | |
| Hum & noise level | Equivalent input noise | -117 dBu (Noise is measured with A-weighting filter) | -117 dBu (Noise is measured with A-weighting filter) |
| Residual output noise | Input to SPEAKERS : -70 dBu(40Hz to 20kHz, STEREO MASTER LEVEL: min); Input to STEREO OUT, AUX1 SEND, AUX2 SEND : -82dBu(20Hz to 20kHz, STEREO MASTER LEVEL: min) (Noise is measured with A-weighting filter) | Input to SPEAKERS : -70 dBu(40Hz to 20kHz, STEREO MASTER LEVEL: min); Input to STEREO OUT, AUX1 SEND, AUX2 SEND : -82dBu(20Hz to 20kHz, STEREO MASTER LEVEL: min) (Noise is measured with A-weighting filter) | |
| Crosstalk | -85 dB (1 kHz, Measured with 1 kHz band pass filter) | -85 dB (1 kHz, Measured with 1 kHz band pass filter) | |
| Protection circuit | Load protection | DC-fault | DC-fault |
| Amplifier protection | Over heat protection, Over current protection, Integral power protection | Over heat protection, Over current protection, Integral power protection | |
| Power supply protection | Over heat protection, Over current protection | Over heat protection, Over current protection | |
| Power requirements | AC 100-240V, 50Hz/60Hz | AC 100-240V, 50Hz/60Hz | |
| Power consumption | 45 W (Idle) / 250 W (1/8 Power) | 42 W (Idle) / 210 W (1/8 Power) | |
| Dimensions | W | 465 mm (18 5/16") | 465 mm (18 5/16") |
| H | 308 mm (12 1/8") | 308 mm (12 1/8") | |
| D | 325 mm (12 13/16") | 325 mm (12 13/16") | |
| Net weight | 9.5 kg (20.9 lbs) | 9.5 kg (20.9 lbs) | |
| Accessories | Owner’s Manual, Technical Specifications, AC power cord (2.5 m) | Owner’s Manual, Technical Specifications, AC power cord (2.5 m) | |
| Options | Foot switch: FC5, Rack-mount brackets: RK-EMX7 | Foot switch: FC5, Rack-mount brackets: RK-EMX7 | |
| Others | Operating Temperature : 0 to +40℃ | Operating Temperature : 0 to +40℃ | |
(0 dBu = 0.775 Vrms, Output impedance of signal generator (Rs) = 150 Ω All level controls are at their maximum position if not specified.)
Input Characteristics
| Input Jack | MIC/LINE | Hi-Z | Actual Load Impedance | For Use with Nominal | Input Level | Connector | |||
|---|---|---|---|---|---|---|---|---|---|
| Sensitivity *1 | Nominal Level (▼ Position) *2 | Max. Before Clip | |||||||
| CH 1–4 | XLR | MIC | - | 3 kΩ | 50–600 Ω Mics | -60 dBu (0.775 mV) | -43 dBu (5.48 mV) | -15 dBu (138 mV) | Combo jack *3 (Balanced) |
| LINE | - | -30 dBu (24.5 mV) | -13 dBu (173 mV) | +15 dBu (4.36 V) | |||||
| Phone | MIC | - | 8 kΩ | 600 Ω Lines | -50 dBu (2.45 mV) | -33 dBu (17.3 mV) | -5 dBu (436 mV) | ||
| LINE | - | -20 dBu (77.5 mV) | -3 dBu (548 mV) | +25 dBu (13.8 V) | |||||
| CH 4 (Hi-Z) | Phone | MIC | ON | 1 MΩ | 10 kΩ Lines | -50 dBu (2.45 mV) | -33 dBu (17.3 mV) | -5 dBu (436 mV) | Phone jack *4 (Unbalanced) |
| LINE | -20 dBu (77.5 mV) | -3 dBu (548 mV) | +20 dBu (7.75 V) | ||||||
| CH 5/6, 7/8 | XLR | - | - | 3 kΩ | 50–600 Ω Mics | -60 dBu (0.775 mV) | -43 dBu (5.48 mV) | -15 dBu (138 mV) | XLR-3-31 *5 (Balanced) |
| Phone | 10 kΩ | 600 Ω Lines | -20 dBu (77.5 mV) | -3 dBu (548 mV) | +25 dBu (13.8 V) | Phone jack *4 (Unbalanced) | |||
| CH 9/10, 11/12 | XLR | - | - | 3 kΩ | 50–600 Ω Mics | -60 dBu (0.775 mV) | -43 dBu (5.48 mV) | -15 dBu (138 mV) | XLR-3-31 *5 (Balanced) |
| Pin | 10 kΩ | 600 Ω Lines | -8 dBu (316 mV) | +10 dBu (2.45 V) | +25 dBu (13.8 V) | RCA pin (Unbalanced) | |||
| CH 11/12 | Mini jack | - | - | 10 kΩ | 600 Ω Lines | -8 dBu (316 mV) | +10 dBu (2.45 V) | +25 dBu (13.8 V) | Stereo mini jack *6 (Unbalanced) |
(0 dBu = 0.775 Vrms)
*1 Sensitivity is the lowest level that will produce an output of +4 dBu (1.228 V) or the nominal output level when the unit is set to maximum gain. (All level controls are at their maximum position.)
*2 Level controls setting : Channel level controls are at their t position. Master level controls are at their maximum position.
*3 1&Sleeve = GND, 2&Tip = HOT, 3&Ring = COLD
*4 Tip = Signal, Sleeve = GND
*5 1 = GND, 2 = HOT, 3 = COLD
*6 Tip = LEFT, Ring = RIGHT, Sleeve = GND
Output Characteristics
| Output Jack | Actual Source Impedance | For Use with Nominal | Output level | Connector | |
|---|---|---|---|---|---|
| Nominal | Max. Before Clip | ||||
| STEREO OUT L, R | 600 Ω | 10 kΩ Lines | +4 dBu (1.228 V) | +20 dBu (7.75 V) | Phone jack *1 (Impedance balanced) |
| AUX SEND 1, 2 | 600 Ω | 10 kΩ Lines | +4 dBu (1.228 V) | +20 dBu (7.75 V) | Phone jack *1 (Impedance balanced) |
| REC OUT L, R | 600 Ω | 10 kΩ Lines | -10 dBV (0.308 V) | +18 dBV (7.75 V) | RCA pin (Unbalanced) |
(0 dBu = 0.775 Vrms 0 dBV = 1.00 Vrms)
*1 Tip = HOT, Ring = COLD, Sleeve = GND
Speaker Output Characteristics
| Output Jack | Actual Source Impedance | For Use with Nominal | Output level | Connector | |
|---|---|---|---|---|---|
| 1 kHz THD+N < 1% (CEA2006) | 1 kHz THD+N < 10% (CEA2006) | ||||
| SPEAKERS A, B | < 0.1 Ω | 4 Ω Speakers |
600 W (EMX7), 500 W (EMX5) |
710 W (EMX7), 630 W (EMX5) |
speakON NL4 *1 Phone jack *2 |
| 8 Ω Speakers |
400 W (EMX7), 370 W (EMX5) |
500 W (EMX7), 460 W (EMX5) |
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(0 dBu = 0.775 Vrms)
*1 1+ = Positive, 1- = Negative
*2 Tip = Positive, Sleeve = Negative
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