KORG : NAUTILUS-73 Key KORG

• SystemNAUTILUS System Version 1.0

Keyboard

• 88 key: RH3 (Real Weighted Hammer Action 3), A - C
• 73 key: Natural Touch Semi Weighted, C - C
• 61 key: Natural Touch Semi Weighted, C – C
• Velocity sensitive is supported, after touch is not supported.

• Synthesis Types9
• SGX-2: Premium Piano (Acoustic Piano)
• EP-1: MDS Electric Piano (Electric Piano)
• HD-1: High Definition Synthesizer (PCM)
• AL-1: Analog Synthesizer (Analog Modeling)
• CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
• STR-1: Plucked String (Physical Modeling)
• MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
• MS-20EX: Component Modeling Technology (Analog Modeling)
• PolysixEX: Component Modeling Technology (CMT Analog Modeling)Maximum Polyphony*1*2SGX-2: 100 voices*3
• EP-1: 104 voices
• HD-1: 140 voices
• AL-1: 80 voices
• CX-3: 200 voices
• STR-1: 40 voices
• MOD-7: 52 voices
• MS-20EX: 40 voices
• PolysixEX: 180 voices

• EXs302: Italian F Piano
• EXs303: Japanese Upright U Piano
• EXs304: Prepared Piano
• EXs305: Historical Keyboards
• EXs306: Vintage Keyboards 2
• EXs307: Strings & Synths
• EXs308: Guitar Collection
• EXs309: Bass Collection
• EXs310: World Essence
• EXs311: Background Loops
• EXs312: SFX & Hits
• EXs313: Found Percussions
• EXs314: Expansion DrumsPCM RAM CapacityApprox. 2GB *4

• Premium PianoFull key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
• Damper resonance and mechanical noise are reproduced.
• Una Corda sample supportPCMEXs301 – German2 D Piano
• 12 velocity levels, includes Ambience Piano type/samples

• 12 velocity levels, no Una Corda samples

• 8 velocity levels

• 1-4 velocity levelsPiano Type128
• (With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))Oscillator ControlDamper Resonance
• Damper Noise
• Mechanical Noise
• Note Release
• String Resonance
• Una Corda

• MDS Electric PianoTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.Electric Piano Model Types7
• Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200AOscillator ControlHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer WidthPanel ControlTine Type
• Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)

• Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)Effect Types9
• Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

• Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.StructureSingle: only OSC1, Double: OSC1 and OSC2.
• Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
• Drums: One drum kit, Double Drums: Two drum kits.Oscillators8 velocity zones per oscillator, with switching, crossfades and layering
• Each zone can play mono or stereo Multisamples or Wave SequencesFiltersTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)DriverPer voice non-linear driver and low boost circuitEQThree bands, with sweep-able midModulationThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixersQuick Layer / Split function

• Advanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector EnvelopeModulationCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking GeneratorsEQThree bands, with sweep-able midQuick Layer / Split function

• OscillatorsUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and SyncAudio InputExternal audio can be processed through the ring modulator, filter, driver, amp, and EQFiltersTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)DriverPer-voice non-linear driver and low boost circuitModulationFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer

• Tonewheel Organ ModelingPhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brakeEX ModeFour additional, user-specified drawbars, and expanded percussionInternal EffectsRotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQDrawbar ControlControlled via nine front-panel sliders (via Tone Adjust)SplitUpper, Lower (even in EX mode)ModulationTwo AMS mixers

• Physically Modeled StringIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtimeString ExcitationThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter

• KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

• Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modesAudio Input and FeedbackRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientationFiltersDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes

• Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effectsModulation5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers

• Waveshaping VPM SynthesizerCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX filesOscillators6 VPM/Waveshaper/Ring Modulation Oscillators
• Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals

• KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory
• Noise Generator (With saturation and low-pass filter function)Audio inputRun real-time audio through the VPM Oscillators and filters.FiltersDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)

• Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effectsPatch PanelSupports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversionModulation10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers

MS-20EX PROGRAM

• OscillatorsUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise GeneratorAudio InputRun real-time audio through the synthesis engine and ESP (External Signal Processor)Filters12dB/octave High Pass and Low Pass self-resonant filters

• 24dB/octave Low Cut and High Cut filters, available per voice.Patch PanelPatchable audio and modulation, at audio ratesPatch PointsKeyboard
• Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

• VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

• External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

• Total External Modulation In

• External Initial Gain Control In, VCA In

• EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

• Triangle Out, Rectangle Out

• Pink Noise Out, White Noise Out

• Clock Trigger In, Sample Signal In, S/H Out

• Control Voltage In, Signal In, Signal Out

• Control Wheel Out, Momentary Switch

• Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

• EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 OutESP (External Signal Processor):Use incoming audio as a trigger and/or CV sourceModulationOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

• OscillatorsVCO
• Saw, Pulse, PWM

• Off, 1 octave below, 2 octaves belowFilter24dB(4-Pole) Octave Low Pass self-resonant filterEffectsIntegrated Polysix Chorus, Phaser, and EnsembleArpeggiatorIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and LatchModulationPolysix
• Original ADSR EG and MG (with MIDI sync).

• 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

• Number of Timbres, Master Keyboard Functionality16 Maximum
• Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
• The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devicesAdvanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector EnvelopeQuick Layer / Split function

DRUMKIT

• Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

• User Memory Programs2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)User Memory Combinations1,792 (256 come preloaded)User Memory Drum Kits264 (104 come preloaded)256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

• Number of Set Lists/Slots128 set lists, 128 slots per set list
• Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
• Transpose setting
• Hold Time setting of Smooth Sound Transition (SST) supported for each slot

• SystemOpen Sampling System (resampling, In-Track sampling)Bit Depth/Sampling FrequencyRAM
• 16-bit/48 kHz stereo/mono sampling

• 16 or 24-bit/48 kHzSampling TimeRAM
• Depends on the amount of available PCM RAM
• Maximum 80 minutes stereo (879MB: 16bit)Sample Locations16,000 samples/4,000 multisamples (128 indexes per multisample)FormatsKORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formatsEditingTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.

EFFECTS

• Insert Effects12
• Stereo in / stereo outMaster Effects2
• Stereo in / stereo outTotal Effects2
• Stereo in / stereo outTimbre EQOne 3-band EQ for each timbre/trackEffect Types197ModulationDynamic Modulation and Common LFOEffects Control BussesStereo side-chaining for compressors, gates, vocoders, etcEffect PresetsTotal 783 preset, Maximum 32 per 1 effect (Preset User)

• Arpeggiator ModulesOne module in Program mode, two modules in Combination and Sequencer modesArpeggio Pattern5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slotsControllersOn/Off, Latch, Gate, Velocity, Length, Swing, Tempo

• Preset Patterns1,272 (common with the preset patterns of the MIDI sequencer)User Patterns1,000
• Patterns created in Sequencer mode can be converted to drum track user patterns.Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.

• Tracks16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.Number of Songs200Resolution1/480テTempo40.00 – 300.00 (1/100 BPM resolution)Maximum Memory400,000 MIDI events or 300,000 audio eventsMIDI Tracks16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,Audio Tracks16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
• Maximum Single-file Recording Time (mono): 80 minutes
• Automation: Volume, Pan, EQ, and Send1/2
• 10,000 regions (max.)
• Event Anchors, BPM AdjustOther FunctionsRPPR (Realtime Pattern Play and Record): 1 Pattern set per song